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THE IMMORTAL LIVER
 In allusion to the story of Prometheus.
The old and formidable struggle, of which we have already witnessed so many phases, began once more.
Jacob struggled with the angel but one night. Alas! how many times have we beheld Jean Valjean seized bodily by his conscience, in the darkness, and struggling desperately against it!
Unheard-of conflict! At certain moments the foot slips; at other moments the ground crumbles away underfoot. How many times had that conscience, mad for the good, clasped and overthrown him! How many times had the truth set her knee inexorably upon his breast! How many times, hurled to earth by the light, had he begged for mercy! How many times had that implacable spark, lighted within him, and upon him by the Bishop, dazzled him by force when he had wished to be blind! How many times had he risen to his feet in the combat, held fast to the rock, leaning against sophism, dragged in the dust, now getting the upper hand of his conscience, again overthrown by it! How many times, after an equivoque, after the specious and treacherous reasoning of egotism, had he heard his irritated conscience cry in his ear: "A trip! you wretch!" How many times had his refractory thoughts rattled convulsively in his throat, under the evidence of duty! Resistance to God. Funereal sweats. What secret wounds which he alone felt bleed! What excoriations in his lamentable existence! How many times he had risen bleeding, bruised, broken, enlightened, despair in his heart, serenity in his soul! and, vanquished, he had felt himself the conqueror. And, after having dislocated, broken, and rent his conscience with red-hot pincers, it had said to him, as it stood over him, formidable, luminous, and tranquil: "Now, go in peace!"
But on emerging from so melancholy a conflict, what a lugubrious peace, alas!
Nevertheless, that night Jean Valjean felt that he was passing through his final combat.
A heart-rending question presented itself.
Predestinations are not all direct; they do not open out in a straight avenue before the predestined man; they have blind courts, impassable alleys, obscure turns, disturbing crossroads offering the choice of many ways. Jean Valjean had halted at that moment at the most perilous of these crossroads.
He had come to the supreme crossing of good and evil. He had that gloomy intersection beneath his eyes. On this occasion once more, as had happened to him already in other sad vicissitudes, two roads opened out before him, the one tempting, the other alarming.
Which was he to take?
He was counselled to the one which alarmed him by that mysterious index finger which we all perceive whenever we fix our eyes on the darkness.
Once more, Jean Valjean had the choice between the terrible port and the smiling ambush.
Is it then true? the soul may recover; but not fate. Frightful thing! an incurable destiny!
This is the problem which presented itself to him:
In what manner was Jean Valjean to behave in relation to the happiness of Cosette and Marius? It was he who had willed that happiness, it was he who had brought it about; he had, himself, buried it in his entrails, and at that moment, when he reflected on it, he was able to enjoy the sort of satisfaction which an armorer would experience on recognizing his factory mark on a knife, on withdrawing it, all smoking, from his own breast.
Cosette had Marius, Marius possessed Cosette. They had everything, even riches. And this was his doing.
But what was he, Jean Valjean, to do with this happiness, now that it existed, now that it was there? Should he force himself on this happiness? Should he treat it as belonging to him? No doubt, Cosette did belong to another; but should he, Jean Valjean, retain of Cosette all that he could retain? Should he remain the sort of father, half seen but respected, which he had hitherto been? Should he, without saying a word, bring his past to that future? Should he present himself there, as though he had a right, and should he seat himself, veiled, at that luminous fireside? Should he take those innocent hands into his tragic hands, with a smile? Should he place upon the peaceful fender of the Gillenormand drawing-room those feet of his, which dragged behind them the disgraceful shadow of the law? Should he enter into participation in the fair fortunes of Cosette and Marius? Should he render the obscurity on his brow and the cloud upon theirs still more dense? Should he place his catastrophe as a third associate in their felicity? Should he continue to hold his peace? In a word, should he be the sinister mute of destiny beside these two happy beings?
We must have become habituated to fatality and to encounters with it, in order to have the daring to raise our eyes when certain questions appear to us in all their horrible nakedness. Good or evil stands behind this severe interrogation point. What are you going to do? demands the sphinx.
This habit of trial Jean Valjean possessed. He gazed intently at the sphinx.
He examined the pitiless problem under all its aspects.
Cosette, that charming existence, was the raft of this shipwreck. What was he to do? To cling fast to it, or to let go his hold?
If he clung to it, he should emerge from disaster, he should ascend again into the sunlight, he should let the bitter water drip from his garments and his hair, he was saved, he should live.
And if he let go his hold?
Then the abyss.
Thus he took sad council with his thoughts. Or, to speak more correctly, he fought; he kicked furiously internally, now against his will, now against his conviction.
Happily for Jean Valjean that he had been able to weep. That relieved him, possibly. But the beginning was savage. A tempest, more furious than the one which had formerly driven him to Arras, broke loose within him. The past surged up before him facing the present; he compared them and sobbed. The silence of tears once opened, the despairing man writhed.
He felt that he had been stopped short.
Alas! in this fight to the death between our egotism and our duty, when we thus retreat step by step before our immutable ideal, bewildered, furious, exasperated at having to yield, disputing the ground, hoping for a possible flight, seeking an escape, what an abrupt and sinister resistance does the foot of the wall offer in our rear!
To feel the sacred shadow which forms an obstacle!
The invisible inexorable, what an obsession!
Then, one is never done with conscience. Make your choice, Brutus; make your choice, Cato. It is fathomless, since it is God. One flings into that well the labor of one's whole life, one flings in one's fortune, one flings in one's riches, one flings in one's success, one flings in one's liberty or fatherland, one flings in one's well-being, one flings in one's repose, one flings in one's joy! More! more! more! Empty the vase! tip the urn! One must finish by flinging in one's heart.
Somewhere in the fog of the ancient hells, there is a tun like that.
Is not one pardonable, if one at last refuses! Can the inexhaustible have any right? Are not chains which are endless above human strength? Who would blame Sisyphus and Jean Valjean for saying: "It is enough!"
The obedience of matter is limited by friction; is there no limit to the obedience of the soul? If perpetual motion is impossible, can perpetual self-sacrifice be exacted?
The first step is nothing, it is the last which is difficult. What was the Champmathieu affair in comparison with Cosette's marriage and of that which it entailed? What is a re-entrance into the galleys, compared to entrance into the void?
Oh, first step that must be descended, how sombre art thou! Oh, second step, how black art thou!
How could he refrain from turning aside his head this time?
Martyrdom is sublimation, corrosive sublimation. It is a torture which consecrates. One can consent to it for the first hour; one seats oneself on the throne of glowing iron, one places on one's head the crown of hot iron, one accepts the globe of red hot iron, one takes the sceptre of red hot iron, but the mantle of flame still remains to be donned, and comes there not a moment when the miserable flesh revolts and when one abdicates from suffering?
At length, Jean Valjean entered into the peace of exhaustion.
He weighed, he reflected, he considered the alternatives, the mysterious balance of light and darkness.
Should he impose his galleys on those two dazzling children, or should he consummate his irremediable engulfment by himself? On one side lay the sacrifice of Cosette, on the other that of himself.
At what solution should he arrive? What decision did he come to?
What resolution did he take? What was his own inward definitive response to the unbribable interrogatory of fatality? What door did he decide to open? Which side of his life did he resolve upon closing and condemning? Among all the unfathomable precipices which surrounded him, which was his choice? What extremity did he accept? To which of the gulfs did he nod his head?
His dizzy revery lasted all night long.
He remained there until daylight, in the same attitude, bent double over that bed, prostrate beneath the enormity of fate, crushed, perchance, alas! with clenched fists, with arms outspread at right angles, like a man crucified who has been un-nailed, and flung face down on the earth. There he remained for twelve hours, the twelve long hours of a long winter's night, ice-cold, without once raising his head, and without uttering a word. He was as motionless as a corpse, while his thoughts wallowed on the earth and soared, now like the hydra, now like the eagle. Any one to behold him thus motionless would have pronounced him dead; all at once he shuddered convulsively, and his mouth, glued to Cosette's garments, kissed them; then it could be seen that he was alive.
Who could see? Since Jean Valjean was alone, and there was no one there.
The One who is in the shadows.
Turn to the next chapter: BOOK SEVENTH. - THE LAST DRAUGHT FROM THE CUP